thingsmatter

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"Live to Work", Dwell's profile of thingsmatter and aTypical Shophouse.
thingsmatter is an art and architecture collective led by Savinee Buranasilapin and Tom Dannecker. The partners grew up in urban Thailand and rural America, respectively. They met in architecture school at the University of Wisconsin-Milwaukee, then attended Princeton University and eventually established their practice in Bangkok.

The studio’s early work included a series of temporary interventions in commercial spaces, offering a critique of the consumer culture that hosted them, while celebrating the opportunity for communication with a diverse audience and the material extravagance uniquely provided by shopping malls and trade shows. Their work evolved, extending the working methods, tactility, and human scale of event architecture to more permanent buildings, including private residences.

A growing preoccupation with delicate, indeterminate structures and unfinished materials, alongside an interest in the cultural status of building as a process, has led thingsmatter to shift focus from conventional buildings toward constructed artworks, which remain anchored in an expanded field of architecture.

In Bangkok, they've taught, lectured, and conducted workshops at Chulalongkorn, Silpakorn, Kasetsart, Rangsit, and Bangkok Universities. Overseas, they've lectured about their work at Princeton, Harvard, and Columbia, and several international conferences.
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studio location
thingsmatter co. ltd,
50/1 Soi Sukhumvit 63 (Ekkamai)
Prakanong Nua, Wattana
Bangkok 10110
THAILAND

(+66) 89 925 2516

info@thingsmatter.com

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Box Cutter

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Box Cutter transforms a modest site by lifting and projecting its living spaces upward and outward, via an expressive structural system that establishes the building’s pervasive aesthetic language.

The ground level is left largely open for gardens and parking. Entrance is through a jalousie-glazed stair hall, which bisects the house from ground to roof, bringing daylight and cross-ventilation to its rooms through internal windows. The second floor contains living, dining, and kitchen spaces. Three bedrooms occupy the third floor, with open-air decks on the roof above.

A deep structural truss wraps around the upper floors, allowing all rooms to cantilever outward from the stair hall. Diagonal tension members engage interior walls, interrupting windows punched through the standing seam cladding.

Compression diagonals are fully exposed at the box's cut corners, which create voids for garden elements. At the front corner, a cutout accommodates a tree growing beneath the cantilevered third floor. At the rear corner, a shaft connects ground to sky, lined with cables for plants to eventually form a living screen for shade and privacy. Glazed walls line these voids, directing views into internal gardens, with compression diagonals beyond, rather than towards neighboring houses.

The house almost balances on four central columns, with two additional columns to support the perimeter truss. But the asymmetry of garden voids leaves the front corner significantly heavier than the rear. A single tension rod tethers the rear corner to the earth, extending from the truss top downards to a buried concrete mass beneath the climbing garden.
Slipway on Baan Lae Suan  TV.

Sister projects in Nakhon Sawan:
Slipway
Diamonds & Rust