thingsmatter

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"Live to Work", Dwell's profile of thingsmatter and aTypical Shophouse.
thingsmatter is an art and architecture collective led by Savinee Buranasilapin and Tom Dannecker. The partners grew up in urban Thailand and rural America, respectively. They met in architecture school at the University of Wisconsin-Milwaukee, then attended Princeton University and eventually established their practice in Bangkok.

The studio’s early work included a series of temporary interventions in commercial spaces, offering a critique of the consumer culture that hosted them, while celebrating the opportunity for communication with a diverse audience and the material extravagance uniquely provided by shopping malls and trade shows. Their work evolved, extending the working methods, tactility, and human scale of event architecture to more permanent buildings, including private residences.

A growing preoccupation with delicate, indeterminate structures and unfinished materials, alongside an interest in the cultural status of building as a process, has led thingsmatter to shift focus from conventional buildings toward constructed artworks, which remain anchored in an expanded field of architecture.

In Bangkok, they've taught, lectured, and conducted workshops at Chulalongkorn, Silpakorn, Kasetsart, Rangsit, and Bangkok Universities. Overseas, they've lectured about their work at Princeton, Harvard, and Columbia, and several international conferences.
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studio location
thingsmatter co. ltd,
50/1 Soi Sukhumvit 63 (Ekkamai)
Prakanong Nua, Wattana
Bangkok 10110
THAILAND

(+66) 89 925 2516

info@thingsmatter.com

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Velvet Envy

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Façade for a boutique in Bangkok's Siam Square.

The lingua franca of 21st-century fashion façades is glassy, repetitive, and optically chaotic. It's affective nontenttm. A block away, international luxury brands speak this dialect fluently. What's the appropriate way to dress up an old shophouse to sell newer fashion brands?

What would a glass façade be, if it were punk? Jalousies are the cheapest windows, which we know from bathrooms in older homes. Turn them sideways, double them, and made them red! Freed from function, they tap into a primal attraction to depth and texture. It's high culture or low, depending on your angle.

Its look shifts with the sun and clouds, and with where you're standing. It’s just a façade. Superficial by definition.

It’s shallow, but a deep kind of shallow.
tmnontent: see also Chemistry.

Velvet is made by weaving two layers of fabric face-to-face, and then cutting them apart. When we look at velvet, we see the cut ends of each thread, and also see along the side of each thread, at various acute angles. We're seeing the fabric from many points of view, all at once, and so velvet appears to shift in shade and depth.

Velvet Envy uses two layers of glass, each angled slightly differently, with different shades and opacities of red sticker. The layers reflect each other and the environment, revealing multiple reds at once and giving the color an unexpected sense of depth.