thingsmatter

          
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"Live to Work", Dwell's profile of thingsmatter and aTypical Shophouse.
thingsmatter is an art and architecture collective led by Savinee Buranasilapin and Tom Dannecker. The partners grew up in urban Thailand and rural America, respectively. They met in architecture school at the University of Wisconsin-Milwaukee, then attended Princeton University and eventually established their practice in Bangkok.

The studio’s early work included a series of temporary interventions in commercial spaces, offering a critique of the consumer culture that hosted them, while celebrating the opportunity for communication with a diverse audience and the material extravagance uniquely provided by shopping malls and trade shows. Their work evolved, extending the working methods, tactility, and human scale of event architecture to more permanent buildings, including private residences.

A growing preoccupation with delicate, indeterminate structures and unfinished materials, alongside an interest in the cultural status of building as a process, has led thingsmatter to shift focus from conventional buildings toward constructed artworks, which remain anchored in an expanded field of architecture.

In Bangkok, they've taught, lectured, and conducted workshops at Chulalongkorn, Silpakorn, Kasetsart, Rangsit, and Bangkok Universities. Overseas, they've lectured about their work at Princeton, Harvard, and Columbia, and several international conferences.
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studio location
thingsmatter co. ltd,
50/1 Soi Sukhumvit 63 (Ekkamai)
Prakanong Nua, Wattana
Bangkok 10110
THAILAND

(+66) 89 925 2516

info@thingsmatter.com

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Structural, ecological, but also kitsch: bamboo falls easily into a trap of lazy Orientalism. The authentic vernacular of contemporary Southeast Asia is vibrant, noisy, and fast, but it’s lost behind touristic fantasy.

Ligature pushes back. Instead of the cozy enclosure of a hut, it stretches out in three low-slung arches to form a wide, open pavilion. It defines space without containing it, framing eccentric, non-orthogonal views of the surrounding environment. It defies gravity by gripping the ground horizontally rather than piercing the sky vertically.

Voluptuous and asymmetrical, its shape was estimated by software but executed by human hands with irregular, imperfect bamboo—in concert with steel pipes and wire ties. The result is neither folksy handicraft nor pristine computer-controlled formalism, but an honest artifact that reveals its own making.
 
Commissioned by the Association of Siamese Architects for ASA Architect Expo 2018.

Exhibited at Bangkok Art Biennale 2018.

Re-installed at Jim Thompson Farm's Art on Farm, 2019.