thingsmatter

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"Live to Work", Dwell's profile of thingsmatter and aTypical Shophouse.
thingsmatter is an art and architecture collective led by Savinee Buranasilapin and Tom Dannecker. The partners grew up in urban Thailand and rural America, respectively. They met in architecture school at the University of Wisconsin-Milwaukee, then attended Princeton University and eventually established their practice in Bangkok.

The studio’s early work included a series of temporary interventions in commercial spaces, offering a critique of the consumer culture that hosted them, while celebrating the opportunity for communication with a diverse audience and the material extravagance uniquely provided by shopping malls and trade shows. Their work evolved, extending the working methods, tactility, and human scale of event architecture to more permanent buildings, including private residences.

A growing preoccupation with delicate, indeterminate structures and unfinished materials, alongside an interest in the cultural status of building as a process, has led thingsmatter to shift focus from conventional buildings toward constructed artworks, which remain anchored in an expanded field of architecture.

In Bangkok, they've taught, lectured, and conducted workshops at Chulalongkorn, Silpakorn, Kasetsart, Rangsit, and Bangkok Universities. Overseas, they've lectured about their work at Princeton, Harvard, and Columbia, and several international conferences.
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studio location
thingsmatter co. ltd,
50/1 Soi Sukhumvit 63 (Ekkamai)
Prakanong Nua, Wattana
Bangkok 10110
THAILAND

(+66) 89 925 2516

info@thingsmatter.com

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Undisclosed Museum

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Design development for a private museum of contemporary art, 2018–19.

An existing industrial building with long, narrow floor plates and low ceilings is reworked to accommodate the circulation and technical demands of contemporary art. Columns, floors, and roof slabs are removed to carve out larger interior volumes. Varying technological approaches to structure and services give each gallery a distinct atmosphere. The curatorial sequence is arranged to take advantage of these spatial differences.

A stair hall divides the building’s length in two. To the north lies a white-cube Kunsthalle for temporary exhibitions. To the south, a sequence of galleries evokes a spiritual journey through the permanent collection. Visitors enter through the Low Gallery, beneath an existing concrete ceiling. From there, they emerge into the tall yet raw South Gallery, then ascend toward the luminous Skylight Gallery. Small alcove galleries along the route allow for moments of intimacy between the more public-feeling spaces.

At key transitions, the building’s original masonry walls, wooden windows, and iron grilles are revealed. On the exterior, these elements are blackened with flame and wrapped in a new skin of tufted expanded metal.