thingsmatter

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"Live to Work", Dwell's profile of thingsmatter and aTypical Shophouse.
thingsmatter is an art and architecture collective led by Savinee Buranasilapin and Tom Dannecker. The partners grew up in urban Thailand and rural America, respectively. They met in architecture school at the University of Wisconsin-Milwaukee, then attended Princeton University and eventually established their practice in Bangkok.

The studio’s early work included a series of temporary interventions in commercial spaces, offering a critique of the consumer culture that hosted them, while celebrating the opportunity for communication with a diverse audience and the material extravagance uniquely provided by shopping malls and trade shows. Their work evolved, extending the working methods, tactility, and human scale of event architecture to more permanent buildings, including private residences.

A growing preoccupation with delicate, indeterminate structures and unfinished materials, alongside an interest in the cultural status of building as a process, has led thingsmatter to shift focus from conventional buildings toward constructed artworks, which remain anchored in an expanded field of architecture.

In Bangkok, they've taught, lectured, and conducted workshops at Chulalongkorn, Silpakorn, Kasetsart, Rangsit, and Bangkok Universities. Overseas, they've lectured about their work at Princeton, Harvard, and Columbia, and several international conferences.
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studio location
thingsmatter co. ltd,
50/1 Soi Sukhumvit 63 (Ekkamai)
Prakanong Nua, Wattana
Bangkok 10110
THAILAND

(+66) 89 925 2516

info@thingsmatter.com

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Breathe Color

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Global shutdowns during the COVID-19 epidemic accelerated life’s trajectories by erasing the calendar. Young professionals began living like retirees: housebound and listless, eyes fixed on screens where actuarial tables refreshed in real time. Fashion faded into irrelevance, as indistinct as the days themselves.

In Thailand, where extended families often share a household, the young found themselves confined with their elderly relatives. In enforced proximity, improbable traditions quietly resurfaced, like wearing specific colors for each day of the week. Rooted in Hindu astrology, this quaint custom revealed an unexpected utility. It became a defense against cognitive decline, compelling us to engage with time. In a moment when every day felt the same, a pink shirt reminded us: today is Tuesday.

A set of embroidered, color-coded fabric masks register time, by marking the day of the week, and by connecting generations.
Breathe Color was created for Critically Homemade, an exhibition by Design Trust, an initiative of the Hong Kong Ambassadors of Design.


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