thingsmatter

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"Live to Work", Dwell's profile of thingsmatter and aTypical Shophouse.
thingsmatter is an art and architecture collective led by Savinee Buranasilapin and Tom Dannecker. The partners grew up in urban Thailand and rural America, respectively. They met in architecture school at the University of Wisconsin-Milwaukee, then attended Princeton University and eventually established their practice in Bangkok.

The studio’s early work included a series of temporary interventions in commercial spaces, offering a critique of the consumer culture that hosted them, while celebrating the opportunity for communication with a diverse audience and the material extravagance uniquely provided by shopping malls and trade shows. Their work evolved, extending the working methods, tactility, and human scale of event architecture to more permanent buildings, including private residences.

A growing preoccupation with delicate, indeterminate structures and unfinished materials, alongside an interest in the cultural status of building as a process, has led thingsmatter to shift focus from conventional buildings toward constructed artworks, which remain anchored in an expanded field of architecture.

In Bangkok, they've taught, lectured, and conducted workshops at Chulalongkorn, Silpakorn, Kasetsart, Rangsit, and Bangkok Universities. Overseas, they've lectured about their work at Princeton, Harvard, and Columbia, and several international conferences.
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studio location
thingsmatter co. ltd,
50/1 Soi Sukhumvit 63 (Ekkamai)
Prakanong Nua, Wattana
Bangkok 10110
THAILAND

(+66) 89 925 2516

info@thingsmatter.com

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Field Collapse

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Steel reinforcing bar, plywood, rubber, nails, screws, glue, sound, light. 7.95 x 6.45 x 3.3 meters.

Field Collapse is a site for contemplating the tensions between art and architecture, design and making, object and space.

A dense thicket of steel bars and plywood braces occupies most of the gallery’s volume. Subtracted passageways allow visitors to experience the grid from within. The resulting interior is uncomfortable; in a system determined by engineering and mechanical considerations, humans are trespassers.

The environment feels simultaneously dangerous and delicate — it could crush us, and we could topple it. Visitors navigate with mindfulness, hyper-aware of the relationship between their bodies and the enveloping object. The structure reciprocates this sensitivity, vibrating with each jostle.

Perception oscillates between understanding the piece as a free-standing sculpture and an interior. Occupants become actors, enlisted in the work’s performance, and providing each other with visual cues of depth and scale to understand an optically ambiguous field of overlapping lines.
Documented alongside Field Work in an artist's tête-bêche book.