thingsmatter

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"Live to Work", Dwell's profile of thingsmatter and aTypical Shophouse.
thingsmatter is an art and architecture collective led by Savinee Buranasilapin and Tom Dannecker. The partners grew up in urban Thailand and rural America, respectively. They met in architecture school at the University of Wisconsin-Milwaukee, then attended Princeton University and eventually established their practice in Bangkok.

The studio’s early work included a series of temporary interventions in commercial spaces, offering a critique of the consumer culture that hosted them, while celebrating the opportunity for communication with a diverse audience and the material extravagance uniquely provided by shopping malls and trade shows. Their work evolved, extending the working methods, tactility, and human scale of event architecture to more permanent buildings, including private residences.

A growing preoccupation with delicate, indeterminate structures and unfinished materials, alongside an interest in the cultural status of building as a process, has led thingsmatter to shift focus from conventional buildings toward constructed artworks, which remain anchored in an expanded field of architecture.

In Bangkok, they've taught, lectured, and conducted workshops at Chulalongkorn, Silpakorn, Kasetsart, Rangsit, and Bangkok Universities. Overseas, they've lectured about their work at Princeton, Harvard, and Columbia, and several international conferences.
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studio location
thingsmatter co. ltd,
50/1 Soi Sukhumvit 63 (Ekkamai)
Prakanong Nua, Wattana
Bangkok 10110
THAILAND

(+66) 89 925 2516

info@thingsmatter.com

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Field Work

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625 adjustable mirrors, mounted to 2-meter aluminum poles in a 50 x 50 meter grid, within a field of salt evaporation ponds in Laem Nok, Bana, Pattani, Thailand.

The beaches of Pattani Bay’s shoreline, seen by ancient sailors from the decks of trading vessels, were said to glisten like jewels, as sunlight reflected off crystals in the surrounding fields of salt. The phenomenon even gave name to nearby Tanyong Luloh, which means “glittering peninsula”.

As integral as the salt fields are to the culture and landscape of Pattani, few locals have ever set foot in them. Field Work is an invitation to play. The mirrors are face-sized, eye-level, and positioned to allow visitors to walk between them atop narrow earthen dams that divide adjacent ponds.

Mirrors are aligned east-west, parallel to the sun’s path and to the road. Tilt angles vary in a pattern of 10 degree increments across the field, ensuring that each mirror visually transposes a different circle of sky, ground, or water from its neighbor.

From the road, the mirrors glitter dynamically, shifting as the relationship between sun and observer changes.
Commissioned for Pattani Decoded 2022: Deep Salt, an art and design festival presented by Melayu living.

Created in collaboration with Rachit Radenahmad, subper, and Melayu Living.


Documented alongside Field Collapse in an artist's tête-bêche book.